Description
Designer

The Grant Featherston Contour Lounge Chair & Ottoman updates the classic armchair design to create a fresh, contemporary look that opens up your modern living space and infuses it with a warm, welcoming calm. The modern lounge chair is defined by its oversized seating enhanced with plush cushioning, body-cradling curves, and your choice of soft, luxurious upholstery. Armrests offer extra comfort and support while button tufts on the backrest provide stylish accenting, classic of mid-century modern design. Exposed wooden legs give off an organic vibe while ensuring a sturdy and durable stance. The stylish and customizable Grant Featherston Contour Lounge Chair is available in a beautiful array of color and material options to complement every taste and design scheme. From plush shearling to cozy cashmere to luxurious leather, the sky's the limit.

Material & Feature:

Molded fiberglass shell with highly resilient urethane foam
Medium firm cushion seat feel
Fabric, Faux Sheepskin, Aniline/Vintage Leather, Cowhide leather upholstery with buttons (C.O.M available)
Solid Ash wood legs with natural or walnut finish
All materials are fire-resistant & non-toxic (Baby friendly)

Dimensions:

Chair: Width: 27.55" x Depth: 31.1" x Height: 36.22"
Seat Width: 16.14"(narrow position) - 18.89"(wide position)
Seat Height: 13.77" x Depth: 17.71"
Armrest Height: 22"
Ottoman: Width: 26" x Depth: 17.32" x Height: 16.14"

* All measurements are approximations.

Born in 1922 (Geelong, Victoria), Grant Featherston is commonly regarded as Australia's most renowned furniture designer of all time. Featherston was self-taught, and before serving in the army during WWII, designed lighting and glass panels. His focus shifted to furniture after the war. Hi works have been featured in numerous museum exhibits and his modernist chairs, which had been featured in prominent Australian galleries such as the Peter Bray Gallery, are highly collectible works.
His most iconic work is the The Contour Lounge Chair (also known as the Contour Chair R160). His works convey a strong Scandinavian influence, and in turn, became very influential in post-war "atomic-age" mid-century design. His works have received many awards, and still inspire modern designers of today. In the mid 1950's Grant formed a partnership (both professionally and in marriage) with Mary Currey. The two worked together as a team through his passing in 1995, in the fields of furniture, graphics and exhibitions.

Eternity Modern - Mid-century modern, modern Nordic and modern contemporary style furniture will be sold for up to 80% off. The selection includes over 2000 overstocked

Eternity Modern

Grant Featherston Contour Lounge Chair & Ottoman

Material

Lounge Chairs

Description
Designer

The CH25 Easy Chair was one of the first chairs inspired by modern Danish design and has sustained popularity for its ease of comfort and adaptability as a simple lounge chair. It was a revolutionary contribution to structural design for its use of woven paper cord as a substitution material during the Second World War. It takes a skilled craftsman 10 hours to hand weave this pattern for the unique seat and back, resulting in an incredible lounge chair with the timeless warmth of wicker and wood.

Material & Feature:

Solid Ash wood with natural or Walnut finish
Hand woven paper cord seat

Dimensions:

" x Depth: 28" x Height: 28.7"
Seat Height: 14"

* All measurements are approximations.

Hans Jrgensen Wegner, (April 2, 1914" January 26, 2007), was a world renowned Danish furniture designer. His high quality and thoughtful work, along with a concerted effort from several of his manufacturers,1 contributed to the international popularity of mid-century Danish design. His style is often described as Organic Functionality, a modernist school with emphasis on functionality. This school of thought arose primarily in Scandinavian countries with contributions by Poul Henningsen, Alvar Aalto, and Arne Jacobsen. In his lifetime he designed over 500 different chairs, over 100 of which were put into mass production and many of which have become recognizable design icons.
Wegner worked for some time for Arne Jacobsen, a successful Danish designer. Wegner was in charge of the furniture in the Aarhus Municipal Hall, which Jacobsen designed.3 After some years under Jacobsen, Wegner started his own company. Along with fellow architect Brge Mogensen, he designed furniture for FDB (a Danish chain of grocery stores), spearheaded by Erik Kold" who founded an organization of Danish furniture makers that launched Danish design abroad.
In his later years Wegner became more attached to PP Mbler (which produces many of pieces originally designed for Johannes Hansen) and for whom he designed several chairs late in his life. He remained active throughout his life. An example of his later work is the"Hoop Chair", originally designed in 1965 with a steel tube base and finally put into production made entirely in wood in 1985 (for PP Mbler). Wegner retired from public life only in the last decade of his life.

Ch25 Easy Chair

Frame Finish

Sculptor Joep van Lieshout set himself a goal: to create one chair per day for a month. He named the project Prototypes as part of his utopian project New TRibal Labyrinth. This futuristic vision focuses on the reinvention of the industrial revolution by recreating an ideal world based on the lost relationship between individuals and raw materials.

Features

With a complimentary sheepskin rug
Not suitable for outdoor use
Available in Walnut color

2Modern is a retailer specializing in authentic modern design. Browse our curated collection of top brands and emerging designers. Free shipping on most items.

2Modern

Liberty Lounger

Title

The Sejour Lounge Chair’s backrest bears a resemblance to the Beetle Chair, and yet its overall form is new and distinctive, so it dexterously balances novelty and familiarity.
With its neat shape and modest size it is ideal for small spaces and tight corners.
The Sejour Lounge Chair works particularly well as a pair and therefore makes the ideal statement piece for office receptions and hotel lobbies.

Features

Country of Origin: Lithuania
Designed in: 2019
Available in Dedar Karakorum 001 Ivory fabric color
Available in Antique Brass, Black Matt or Matt Brass base finish
Available in American Walnut Oiled or Oak Oiled arm color

Sejour Lounge Chair With Arms

Base Finish

Arm Color

Description
Designer

Obviously soft padding like a warm invitation. Sumptuous sitting in a perfectly shaped shell. Safe and protected. Kyo Lounge appeals to our sensitive side. High-grade leather, fine seam patterns and a base with soft curves are the hallmarks of quality second to none. Take a seat, lean back, relax. The headrest provides additional security. A special retreat" for yourself, for discussions, for concentration and new ideas. In a lobby or lounge, in the office or at home.

Material & Feature:

Molded fiberglass shell with highly resilient urethane foam
Medium firm cushion seat feel (cushion softness customizable)
Premium Fabric, Top Grain/Aniline/Vintage Leather Leather upholstery (C.O.M available)
4-star swivel base made from highly polished aluminium with matte black finish
All materials are fire-resistant & non-toxic (Baby friendly)

Dimensions:

Width: 31" x Depth: 32" x Height: 44"
Seat Height: 18"

* All measurements are approximations.

PearsonLloyd is a product, furniture and innovation design studio led by founders Luke Pearson and Tom Lloyd, and run from a studio in Shoreditch, East London. For the last twenty years, the agency has designed products, systems and environments for the home, workplace, transport and healthcare sectors. Its close relationship with clients including consumer brands, manufacturers and retailers has given the agency unparalleled experience in understanding the needs of users and the demands of business.
The agency"s work is driven by a need to understand and interpret a world that is experiencing rapid and often unexpected change. Its in depth research into these changes" in both the material and digital world" enables PearsonLloyd to create design solutions that are appropriate and relevant for manufacturers, brands and users. The studio is highly collaborative in its approach. It embraces the restrictions imposed by product type, function, material and process and delivers products that are beautiful, efficient and useful.
Luke and Tom were awarded the distinction of Royal Designers for Industry by The Royal Society of Arts in 2008 and in 2012 were named in the top 50 designers"Shaping the Future" by Fast-Co Magazine in New York. They have lectured for a number of years at ECAL and the RCA and regularly talk at international platforms.

Kyo Lounge Chair - High Back

Description
Designer

The impressive Bibendum Chair is an innovative design from 1929. The piece comprises of padded circular tubes, which not only create the modern profile of the furniture but also ensure great seating comfort. Eileen Gray named the design Bibendum after the world-famous Michelin Man, which the chair resembles. The strong presence of the Bibendum Chair will create an artistic focal point in any environment. Admired by numerous art and design critics alike, the Bibendum Chair carries the same attractive appeal almost a century after its creation.

Material & Feature:

Molded fiberglass shell with highly resilient urethane foam
Fabric, Top Grain/Aniline/Vintage Leather Leather upholstery (C.O.M available)
Polished #304 grade stainless steel legs with chrome finish
All materials are fire-resistant & non-toxic (Baby friendly)

Dimensions:

Width: 35" x Depth: 31" x Height: 29"
Seat Height: 16"

* All measurements are approximations.

Born in Enniscorthy, County Wexford, Ireland in 1878, Eileen Gray spent her childhood in London and was among the first women to be admitted to the Slade, where she took up painting in 1898 before undergoing an apprenticeship in a London lacquer workshop. The experience she gained in working in this highly specialised medium was to influence her profoundly when she moved to Paris in 1902. After further training in lacquer work and cabinet making, she quickly established herself as one of the leading designers of the lacquered screens and decorative panels so beloved by the followers of art deco, and even managed to cause a riot by showing a stark white lacquered boudoir at the 14th Salon des Artistes Dcorateurs in 1923.
In 1922 she opened her own gallery, Jean Dsert, in Rue du Fauborg Saint Honor as an outlet for her designs. During the 1920s and 1930s she became one of the leading exponents of the revolutionary new theories of design and construction. She worked closely with many of the outstanding figures of the modern movement, including Le Corbusier and J.J.P Oud. Well to the fore of the group she exhibited chrome, steel tube and glass furniture in 1925 - the same year as Mies van der Rohe and Marcel Breuer and well before Le Corbusier. The furniture was used in Eileen Gray's own interiors, the most celebrated of which was that completed in 1922 for the famous modiste, Madame Mathieu-Lvy (better known as Suzanne Talbot). Her interior design schemes of the period seem both modern and stylish even today.
Eileen Gray's next major contribution to design was in architecture. Encouraged by Le Corbusier and J.J.P Oud, she designed two houses in the Alpes Maritimes, one at Roquebrune which was built from 1926-1929, and the other at Castellar, built from 1932-1934. Both houses are considered to be among the purest examples of domestic architecture and interior design of the period. The inter-war years also saw Eileen Gray's 'Centre des Vacances' project, which was shown in Le Corbusier's Pavilion des Temps Nouveaux at the Paris International Exhibition of 1937.
After the war, and up to her death in 1976, Eileen Gray continued to work as a designer on both major projects like the Cultural and Social Centre, which occupied her from 1946-1949, and on a number of smaller furniture designs. One of her last tasks was to work with Zeev Aram on the introduction of her designs onto the world market. Examples of her early work are in the V&A collection and her E1027 adjustable table is in the permanent design collection of The Museum of Modern Art, New York; these make a fitting tribute to her contribution to modern design. The Royal Society of Arts appointed her a Royal Designer for Industry in 1972.
Eileen Gray died in Paris in 1976.
Aram Designs holds the worldwide head licence for Eileen Gray Designs and is the only UK source for the authentic products.

Eileen Gray Bibendum Chair

Hans Brattrud designed the Scandia range in 1957 as a school project. At that time, however, he was not able to manufacture the chairs properly.
In 1958, Brattrud saw laminated wooden products for the first time on a fair in Germany and understood that this was the right method for industrializing his Scandia design. High voltage laminating was in it's infancy, but he convinced a factory in Norway, Hove Møbler, to buy equipment for wood laminating. They then began manufacturing the Scandia range in 1961.
They were manufactured in Norway and distributed all over the world until the early 1970`s.
Today they are sold at auctions and vintage shops all over the world and have become a true Scandinavian classic.
Hans had his own design office in Oslo from 1958 until 1963 and developed many national and international projects. Working on one of these projects made him interested in prefabricating houses. After this, his primary focus was to develop designs for prefabricating houses and other architectural patents. Today the Scandia chair is manufactured exclusively by the Norwegian company, Fjordfiesta, with approval of Hans Brattrud.

Details

Made In: Norway
Materials:

Seat: Laminated, Lacquered American Walnut Or Oak Veneer
Base: Chromed Steel

Dimensions:

26"W X 30.7"D X 31.9"H
Seat Height: 11"

HORNE offers the best curated selection of authentic modern furniture, lighting, accessories and decor from designers spanning the globe.

HORNE

Scandia Nett Lounge Chair

Finish

Description
Designer

Inspired by the original 1966 Platner Collection designed by Warren Platner, this lounge chair captures the iconic Modernist era style. Both elegant and whimsical, the stainless steel wire base was designed to resemble a shiny sheaf of wheat. The design provides not just a unique look, but also full support and stability for the seating shell. In displayed chair, high-density foam cushioning has been upholstered in a soft cashmere blend upholstery for luxurious comfort. Both a joy to look at an sit in, this piece of mid century furniture truly reflects Platner's definition of a classic!

Material & Feature:

Frame: Polished #304 grade stainless steel with Gold finish
Back & Seat: molded fiberglass shell with highly resilient urethane foam
Premium Fabric, Top Grain/Aniline/Vintage Leather Leather upholstery (C.O.M available)
All materials are fire-resistant & non-toxic (Baby friendly)

Dimensions:

Width 33" x Depth: 24" x Height: 27"
Seat Height: 18"

* All measurements are approximations.

American architect and interior designer Warren Platner was born in Baltimore, Maryland in 1919. Platner attended Cornell University, graduating with a degree in architecture in 1941. Shortly after, he began working with legendary architects Raymond Loewy and I.M. Pei from 1945 to 1950, and with Eero Saarinen from 1960 to 1965. During this time he was part of the design process of many historically important projects including the Dulles International Airport, in Washington, D.C., the Repertory Theater at Lincoln Center, and several dormitories for Yale University. Platner joined Kevin Roche"s firm as the head of interior design, becoming more involved with interior and industrial design, as he believed that the essence and character of a building"s design should come from within.
In 1967, having gained a wealth of expertise and knowledge from working for architect-design luminaries, Platner decided to open his own firm, Platner Associates. Not limiting itself to architecture, it also experimented in furniture design, lighting, textiles, and interiors. From the late 1960s onwards, he exhibited widely and worked on a variety of interior design and architecture projects, including the interior design of the Ford Foundation headquarters (1967) in New York, the Georg Jensen Design Center (1968) also in New York, the interior to the American Restaurant in Kansas (1974), the interiors for Water Tower Place (1976) in Chicago, and the Windows on the World Restaurant (1976) atop the World Trade Center in New York.
In the 1960s, as the modernist movement became more expressive, Platner focused on a quieter aesthetic, wishing to create more graceful structures. In 1966 Platner, in collaboration with Knoll , unveiled the Platner Collection"a series of sleek modern chairs, ottomans and tables that rest on an intricately sculpted base of cylindrical steel rods replicating a moir pattern. Requiring over 1,000 welds for one piece alone, the complex design is a close marriage of architecture and industrial design. Though Platner designed other pieces, the Platner Collection was his most renowned collection that ultimately made a name for himself in furniture design.

Warren Platner Lounge Chair - Gold Base

Description
Designer

Bonaparte Lounge Chair is one of the seldom cases in which the luxurious comfort of an upholstered chair has been successfully united with a tubular steel construction. The result communicates both ease and convenience. Actually conceived as a piece for drawing rooms, Eileen Gray found Bonaparte so pleasant that she used it for decades as her desk chair in her Paris home at Rue Bonaparte.

Material & Feature:

Frame: highly polished #304 grade stainless steel frame
High elasticity dacron-wrapped foam with genuine down feather layer
Medium firm cushion seat feel (cushion softness customizable)
Top Grain/Aniline/Vintage Leather Leather upholstery (C.O.M available)
All materials are fire-resistant & non-toxic (Baby friendly)

Dimensions:

Width: 24.8" x Depth: 26.4" x Height: 29.5"
Seat Height: 17.7"

* All measurements are approximations.

Born in Enniscorthy, County Wexford, Ireland in 1878, Eileen Gray spent her childhood in London and was among the first women to be admitted to the Slade, where she took up painting in 1898 before undergoing an apprenticeship in a London lacquer workshop. The experience she gained in working in this highly specialised medium was to influence her profoundly when she moved to Paris in 1902. After further training in lacquer work and cabinet making, she quickly established herself as one of the leading designers of the lacquered screens and decorative panels so beloved by the followers of art deco, and even managed to cause a riot by showing a stark white lacquered boudoir at the 14th Salon des Artistes Dcorateurs in 1923.
In 1922 she opened her own gallery, Jean Dsert, in Rue du Fauborg Saint Honor as an outlet for her designs. During the 1920s and 1930s she became one of the leading exponents of the revolutionary new theories of design and construction. She worked closely with many of the outstanding figures of the modern movement, including Le Corbusier and J.J.P Oud. Well to the fore of the group she exhibited chrome, steel tube and glass furniture in 1925 - the same year as Mies van der Rohe and Marcel Breuer and well before Le Corbusier. The furniture was used in Eileen Gray's own interiors, the most celebrated of which was that completed in 1922 for the famous modiste, Madame Mathieu-Lvy (better known as Suzanne Talbot). Her interior design schemes of the period seem both modern and stylish even today.
Eileen Gray's next major contribution to design was in architecture. Encouraged by Le Corbusier and J.J.P Oud, she designed two houses in the Alpes Maritimes, one at Roquebrune which was built from 1926-1929, and the other at Castellar, built from 1932-1934. Both houses are considered to be among the purest examples of domestic architecture and interior design of the period. The inter-war years also saw Eileen Gray's 'Centre des Vacances' project, which was shown in Le Corbusier's Pavilion des Temps Nouveaux at the Paris International Exhibition of 1937.
After the war, and up to her death in 1976, Eileen Gray continued to work as a designer on both major projects like the Cultural and Social Centre, which occupied her from 1946-1949, and on a number of smaller furniture designs. One of her last tasks was to work with Zeev Aram on the introduction of her designs onto the world market. Examples of her early work are in the V&A collection and her E1027 adjustable table is in the permanent design collection of The Museum of Modern Art, New York; these make a fitting tribute to her contribution to modern design. The Royal Society of Arts appointed her a Royal Designer for Industry in 1972.

Eileen Gray Bonaparte Lounge Chair

Description
Designer

The LC4 Chaise Longue is another iconic design from the popular Le Corbusier (LC) collection. Its ergonomic design mirrors the body"s natural curves, and can be adjusted from a near-upright position to a full reclining position. The LC4 Chaise Longue was originally designed in 1928 and is now part of the permanent collection at the Museum of Modern Art (MOMA). This Le Corbusier Chair as much a work of art as it is a piece of furniture.

Material & Feature:

Frame structure: highly polished #304 grade tubular stainless steel frame with chrome finish; silver welded joints
Heavy duty nylon webbing (replaceable)
Premium Top Grain / Aniline, cowhide leather upholstery (C.O.M available)
All materials are fire-resistant & non-toxic (Baby friendly)

Dimensions:

Width: 62" x Depth: 22" x Height: 30
Longue Base: Length: 35.4" x Depth: 24" x Height: 12.2"

* All measurements are approximations.

He was born as Charles-douard Jeanneret-Gris (1887-1914) in La Chaux-de-Fonds, a small city in Neuchtel canton in north-western Switzerland, in the Jura mountains, just 5 kilometres (3.1 mi) across the border from France.
Le Corbusier began experimenting with furniture design in 1928 after inviting the architect, Charlotte Perriand, to join his studio. His cousin, Pierre Jeanneret, also collaborated on many of the designs. Before the arrival of Perriand, Le Corbusier relied on ready-made furniture to furnish his projects, such as the simple pieces manufactured by Thonet, the company that manufactured his designs in the 1930s.
In 1928, Le Corbusier and Perriand began to put the expectations for furniture Le Corbusier outlined in his 1925 book L"Art Dcoratif d"aujourd"hui into practice. In the book he defined three different furniture types: type-needs, type-furniture, and human-limb objects. He defined human-limb objects as:"Extensions of our limbs and adapted to human functions that are type-needs and type-functions, therefore type-objects and type-furniture. The human-limb object is a docile servant. A good servant is discreet and self-effacing in order to leave his master free. Certainly, works of art are tools, beautiful tools. And long live the good taste manifested by choice, subtlety, proportion, and harmony".
The first results of the collaboration were three chrome-plated tubular steel chairs designed for two of his projects, The Maison la Roche in Paris and a pavilion for Barbara and Henry Church. The line of furniture was expanded for Le Corbusier"s 1929 Salon d"Automne installation,"Equipment for the Home".

Le Corbusier Lc4 Chaise Longue

Dark and mysterious
Looking to boost your lounge space with a piece designed for pure relaxation? The Rewind Swivel Chair from Caracole brings premium comfort and undeniable style to your home. Featuring an ash wood frame wrapped in dark, fabric upholstery, this swivel-style chair offers svelte lines and exposed arms wrapping around the back in a seamless design. Topped with a down blend cushion for premium comfort, this chair offers distinctive design ready to be stationed in your living room or as an accent piece in your master bedroom to create the perfect reading nook.
Why We Love It:

Swivel base allows you to move about with ease, following the conversation in the room
No-sag seat ensures continued support with everyday use

Features

Modern Artisan Remix Collection
Swivel base
Angular wood arm
Tight back
Loose seat cushion
Blendown cushion
No sag seat
Available in Cerused Oak finish

Rewind Swivel Chair

Designed by the design duo GamFratesi, the Masculo Lounge Chair is characterized by the contradiction between Scandinavian elegance and Italian dynamic lines. The aesthetics, craftsmanship, solidity and sitting comfort are successfully combined and result in an inviting, upholstered lounge chair. The distinctive, semicircular back- and armrest express an almost aggressive masculinity, and at the same time soft and embracing, whilst the finest legs simultaneously contributes with quasi-feminine and sophisticated detailing.

Details

Made In: Lithuania

Material:

Legs: Steel
Tempt: 100% Polyester

Remix: 90% New Wool Worsted, 10% Nylon

Canvas: 90% New Wool Worsted,10% Nylon

Hallingdal: 70% New Wool, 30% Viscose

Sorensen: 100% Protected Leather

Dimensions:

Overall: 23.6"D x 31.5"W x 27.2"H

Seat Height: 13.8"

Masculo Lounge Chair Upholstered - Sled Base

Legs

Fabric/leather

The Rive Droite armchair by Patrick Norguet is supported by a structure in polyurethane foam with a metal insert, combined with a seat made of poplar plywood and multi-density polyurethane foam. The swivelling base is made of satined stainless steel.
The Rive Droite armchair, a captivating object of design, is available with upholstery by Emilio Pucci, the prestigious Florentine maison, famous worldwide for its bold and colorful fabrics.

Features

Year of Production: 2001
Available in various colors

Rive Droite Chair

Color

Description
Designer

This Cerva armchair is originally designed and produced by Italy famous brand Fendi Casa. To do one villa furniture case in Shenzhen, Artech Furniture produced this luxury armchair.

Material & Feature:

PU faux leather shell

Fabric, Top Grain/Aniline/Vintage Leather Leather upholstery (C.O.M available)
Solid wood legs with black finish
All materials are fire-resistant & non-toxic (Baby friendly)
Customization available - Request with Customer Service

Dimensions:

Width: 32" x Depth: 30" x Height: 41"
Seat Height: 17.5"

* All measurements are approximations.

Toan Nguyen was born in Paris in 1969 and graduated in Industrial Design at ENSCI-Les Ateliers in Paris, in 1995. After experiences in several design studios in Paris, Barcelona and Milan and notably ten years of collaboration with Antonio Citterio as design director and design partner, signing products for many brands such as Axor-Hansgrohe, B&B Italia, Flos, Fusital, Guzzini, Iittala, Kartell, Metalco, Skantherm, Technogym or Vitra, Toan Nguyen founded his own design studio based in Milan in 2008.
Toan Nguyen Studio is a multidisciplinary Atelier focused on design development in many different design fields, from furniture to technological products, in partnership with leading international companies based in Italy, Germany, Switzerland, Spain and USA such as Accademia, Dedon, Moroso, Urmet Group, Varaschin, Viccarbe and Walter Knoll.
The Bellows Collection designed for Walter Knoll has won a Red Dot Design Award in 2010.

Cerva Armchair

Description
Designer

Inspired by the original 1966 Platner Collection designed by Warren Platner, this lounge chair captures the iconic Modernist era style. Both elegant and whimsical, the stainless steel wire base was designed to resemble a shiny sheaf of wheat. The design provides not just a unique look, but also full support and stability for the seating shell. In displayed chair, high-density foam cushioning has been upholstered in a soft cashmere blend upholstery for luxurious comfort. Both a joy to look at an sit in, this piece of mid century furniture truly reflects Platner's definition of a classic!

Material & Feature:

Frame: Polished #304 grade stainless steel with matte finish
Back & Seat: molded fiberglass shell with highly resilient urethane foam
Premium Fabric, Top Grain/Aniline/Vintage Leather Leather upholstery (C.O.M available)
All materials are fire-resistant & non-toxic (Baby friendly)

Dimensions:

Width 40" x Depth: 37" x Height: 39"
Seat "

* All measurements are approximations.

American architect and interior designer Warren Platner was born in Baltimore, Maryland in 1919. Platner attended Cornell University, graduating with a degree in architecture in 1941. Shortly after, he began working with legendary architects Raymond Loewy and I.M. Pei from 1945 to 1950, and with Eero Saarinen from 1960 to 1965. During this time he was part of the design process of many historically important projects including the Dulles International Airport, in Washington, D.C., the Repertory Theater at Lincoln Center, and several dormitories for Yale University. Platner joined Kevin Roche"s firm as the head of interior design, becoming more involved with interior and industrial design, as he believed that the essence and character of a building"s design should come from within.
In 1967, having gained a wealth of expertise and knowledge from working for architect-design luminaries, Platner decided to open his own firm, Platner Associates. Not limiting itself to architecture, it also experimented in furniture design, lighting, textiles, and interiors. From the late 1960s onwards, he exhibited widely and worked on a variety of interior design and architecture projects, including the interior design of the Ford Foundation headquarters (1967) in New York, the Georg Jensen Design Center (1968) also in New York, the interior to the American Restaurant in Kansas (1974), the interiors for Water Tower Place (1976) in Chicago, and the Windows on the World Restaurant (1976) atop the World Trade Center in New York.
In the 1960s, as the modernist movement became more expressive, Platner focused on a quieter aesthetic, wishing to create more graceful structures. In 1966 Platner, in collaboration with Knoll , unveiled the Platner Collection"a series of sleek modern chairs, ottomans and tables that rest on an intricately sculpted base of cylindrical steel rods replicating a moir pattern. Requiring over 1,000 welds for one piece alone, the complex design is a close marriage of architecture and industrial design. Though Platner designed other pieces, the Platner Collection was his most renowned collection that ultimately made a name for himself in furniture design.

Warren Platner Easy Chair - Chrome Base

Posh Perch. With a lofty and inviting seat and a dynamic profile, our Marcello Lounge Chair channels Italian glamour. It's our pared down and posh riff on the classic rolled armchair. The horseshoe-inspired shape cradles you chicly, while tapered blackened steel legs add a modernist edge. Envelope yourself in European-inspired comfort that's benchmade in the USA. Available in your choice of custom fabrics and base finishes or ready-to-ship in select fabrics. *Our shipping ETAs may be longer than usual, but safely delivering the looks you love is always our priority.

Jonathan Adler | Modern home decor, accessories and gifts feature chic, iconic designs. Decorate your home with luxurious pottery, pillows, lighting and mid-century modern furniture.

Jonathan Adler

Marcello Lounge Chair

Fabric

Base

After many years of use, aesthetics of rotational molding should necessarily enter into the second phase of its existence. It couldn’t be but Starck to get rotational make such a step: the high chair expands sizes, particularly height, transforming the object into a shell as a bulwark.
Features

Suitable for indoor and outdoor use
Available in Silver Grey color

Out/in Highback Chair

Description
Designer

Utilizing traditional methods of traditional craftsmanship with industrial methods in order to popularize tubular steel furniture, this form explores the unique characteristics of steel which give the chair added flexibility. The classic seat features a Solid beech frame with Cane insets that are handwoven.

Material & Feature:

Seat and Back are solid Ash with either a clear natural coating woven cane insets
Frame : Polished #304 grade stainless steel tubule with chrome finish
Plastic glides included on base to protect floors

Dimensions:

Width: 18.5" x Depth: 24.6" x Height: 34"
Seat Height: 18.5"

* All measurements are approximations.

A champion of the modern movement and protg of Bauhaus founder Walter Gropius, Marcel Breuer is equally celebrated for his achievements in architecture and furniture. Breuer was a student and subsequently a master carpenter at the Bauhaus in the early 1920s. His entire body of work, both architecture and furniture, embodies the driving Bauhaus objective to reconcile art and industry. While at the Bauhaus, Breuer revolutionized the modern interior with his tubular-steel furniture collection" inspired by bicycle construction and fabricated using the techniques of local plumbers.

Cesca Side Chair

Ilimari Tapiovaara was committed to designing furniture for a much broader market. His goal was to produce quality inexpensive furniture that was made from materials that were readily available in 1940s Finland; one result is the Domus Chair. The chair was given clean simple lines that spoke to style and functionality. The Domus Chair is a multipurpose chair that is perfect as a standalone chair, in a grouping or around a dinner table.
The frame is made of laminated birch and the seat and back take their form from presses birch plywood. The chair is available in a natural lacquered birch, black stain or honey stain or with a white lacquered frame and honey lacquered seat. The Domus Lounge Chair is also available upholstered.
Details

Design Country : Finland

Material : Birch, Upholstery

Dimensions :

23.2"W × 28"D × 35"H
Seat Height: 16.7"

Domus Lounge Chair - Birch

The design of the Mingx collection issues from the same tubular profile that also inspired the bookcase zigzag, and develops into an extensive family of elements: seats, stools and tables, which establish a harmonious mutual dialogue that also extends to the bookcase. The name Mingx clearly refers to the Ming dynasty that most influenced the progress of Chinese culture, turning china into the heart of eastern trade. The tables with American walnut top and tubular steel frame are proposed in the cantilevered or flush version, like the writing desk and the low table. The Mingx collection is also proposed in the outdoor version with quartzite and sheet metal table tops and frames subjected to protective cataphoresis treatment.
Features

Mingx Collection
Suitable for indoor use
Available in Orange, Bronze or Black color

Mingx Lounge Chair

Available online only. This retro-inspired lounge chair from our Irongate collection is perfect for lounge, living and office spaces. Handsomely designed with an exposed cantilever steel frame in a rustic bronze finish and horizontal channel tufting on the seat and seat back. Stocked in a masculine vintage black, cognac and blue faux leather, or a beige linen fabric. Suitable for contract and residential environments.

High Fashion Home is the premier destination for unique home furnishings, fashion, and gifts. Contemporary furniture for the eclectic, modern lifestyle.

High Fashion Home

Lincoln Lounge Chair, Vintage Black

Description
Designer

Very similar to the Ball Chair designed by Eero Aarnio, the unconventional shape and construction of the Alpha Ball Chair makes it perfect for sound isolation, a cozy quiet area to sit and read. Its chamber-like shape and upholstered interior cancels out most outside noise, providing a unique environment for meditation, relaxation or just getting away from it all.
A futuristic pod look with an egg shape and multiple interior color choices make this as unique as your personality. This set comes with the chair and ottoman included.

Material & Feature:

Molded fiberglass shell with glossy finish, available in color white / black
Cast aluminum base resistant to chipping and flaking
Fabric upholstery (C.O.M available)
360 degree swivel
All materials are fire-resistant & non-toxic (Baby Friendly)

Dimensions:

Chair - Width: 36.6" x Depth: 32.6" x Height: 52" x Seat Height: 13"
Ottoman - Width: 21" x Depth: 13.5" x Height: 12"

* All measurements are approximations

Eero Aarnio (b. 1932) is a Finnish designer and professor h.c. and is considered one of the great innovators of modern furniture design. During the years, Aarnio has experimented with a variety of different materials, including plastic, fibreglass and foam plastic. With these materials he has created some of the icons of Finnish design such as the Ball Chair (1962), Bubble Chair (1968) and Pastil Chair (1968), just to name a few.
Famous for his furniture, Eero Aarnio is renowned also for his lamps - such as Double Bubble and Swan - and has proven his skills as a wood designer as well - for example with the Rocket bar stool and the Baby Rocket stool are excellent examples of his wooden designs. Eero Aarnio's designs are characterized by a positive attitude and joyful nature, exemplified in works like the playful Puppy or the lovely Dino.
Aarnio's creations are present in the collections of numerous museums worldwide - including the Victoria and Albert Hall Museum in London, the MoMA in New York, the Vitra Design Museum in Weil am Rhein, Germany and the Centre Georges Pompidou in Paris - and he has won many prestigious international design awards, such as the Red Dot Design Award and the Compasso d'Oro Design Award.

Alpha Ball Chair & Ottoman

Shell Finish

With soft Nevada leather and clean 1960's throwback design, this Sven Ivar Dysthe design is as eye-grabbing as it is comfortable.

Lounge chair in oak or walnut veneer and stainless steel base in 4 different leather types.

Details

Made In: Norway

Materials: Oak or Walnut Veneer, Stainless Steel, Leather
Dimensions:

30.7”H x 28”W x 29.5”D
15.35” Seat Height

1001 Af Lounge Chair

Leather

Available online only.
With a design that reflects a salvaged architectural aesthetic from the 1940's, the Brooks Lounge Chair will effortlessly blend in with you home decor.

Brooks Leather Lounge Chair, Palomino

The Reader armchair has been designed as a place for letting your body sink into and relax. The armchair’s special curved shell is inspired by traditional Danish crafting techniques and helps to reduce surrounding noise, offering a place of shelter and reflection. With its light form and bold organic curves, The Reader is a standout design piece in any setting and just right for enjoying a good book or engaging conversation.

Features

The Reader Collection
Designed in Denmark
Available in various fabric colors
Available in Light Oak, Black Oak or Dark Oak finish
Available with or without Reader Ottoman

The Reader Armchair

Fabric Color

Optional Ottoman

Angular and artistic, the Gallagher Lounge Chair brings modern sophistication to the classic lounge chair. Crafted from walnut, oak, or maple wood, the sturdy and squared frame supports a sling of natural leather suspended and pulled tight by bungee cords that offer extra bounce. Comfortable and sleek, the Gallagher Lounge Chair exudes bold elegance and instinctive design prowess. Pair the Gallagher Lounge Chair with the Gallagher Coffee Table for a refined and modern living room.

Details

Design Country: USA

Materials: Solid wood, 100% genuine leather, bungee cord

Dimensions: 27.5 x 32 x 28

Seat Height: 18"

Gallagher Lounge Chair - Natural

Furniture finished with fire. The beauty and character of burned wood is now captured in a long lasting material, creating the strange sensation of sitting on burnt furniture.

Features

Smoke Collection
The Smoke chair has a repair kit underneath the seat in case of emergencies
Available in Black color

Care Instructions: The Smoke series of furniture should be lightly dusted regularly with a feather duster and a damp cloth. To clean the upholstery Moooi recommends using a soft damp cloth. Moooi recommends always reading the label of any cleaning product you wish to use on or near any item from the Moooi collection.

Smoke Dining Arm Chair

Description
Designer

The Le Corbusier group referred to their LC2 and LC3 Collections (1928) as "cushion baskets," which they designed as a modernist response to the traditional club chair. These pieces reverse the standard structures of sofas and chairs by having frames that are externalized. With thick, resilient pillows resting within the steel frames, the idea was to offer all the comfort of a padded surface while applying the elegant minimalism and industrial rationale of the International Style. The resulting aesthetic of the simple tubular structure is remarkably relevant to how we live today, almost 90 years later.

Material & Feature:

Frame structure: highly polished #304 grade tubular stainless steel frame with chrome and black powder coated finish; nylon webbing (replaceable)
High elasticity dacron-wrapped foam with extra genuine down feather layer
Medium firm cushion seat feel (cushion softness customizable)
Top Grain/Aniline Leather upholstery (C.O.M available)
All the cushions are removable
All materials are fire-resistant & non-toxic (Baby friendly)
Customization available - Request with Customer Service

Dimensions:

Width: 40.9" x Depth: 29.1" x Height: 26"
Seat Cushion: Width: 26.8" x Depth: 20.5"
Seat Height: 16.1"
Seat Depth: 18.5"
Armrest Thickness: 8.6"

* All measurements are approximations.

Widely considered one of the most influential architects of the 20th century, Le Corbusier (born Charles-douard Jeanneret-Gris) is credited with changing the face of urban architecture, bringing it into the technological age. Connecting architecture with revolution, his legacy demonstrates a strong, if utopian, sense of purpose to meet the needs of a democratic society dominated by the machine."Modern life demands, and is waiting for, a new kind of plan, both for the house and the city," he said in 1923.
Born in Switzerland, Le Corbusier was encouraged by a teacher to take up architecture. He built his first house at the age of 18 for a member of his school"s teaching staff. In 1908, he went to Paris and began to practice with Auguste Perret, an architect known for his pioneering use of concrete and reinforced steel. Moving to Berlin, Le Corbusier worked with Peter Behrens, who taught him about industrial processes and machine design. In 1917, he returned to Paris, where he met post-Cubist Amde Ozenfant and developed Purism, a new concept of painting. In 1920, still in Paris, he adopted the pseudonym Le Corbusier.
Paradoxically, Le Corbusier combined a passion for classical Greek architecture and an attraction to the modern machine. He published his ideas in a book entitled Vers une Architecture, in which he refers to the house as a"machine for living," an industrial product that should include functional furniture or"equipment de l"habitation." In this spirit, Le Corbusier co-designed a system of furniture with his cousin Pierre Jeanneret and Charlotte Perriand. The tubular steel furniture" including the famous LC4 Chaise Longue and LC2 and LC3 seating collections" projected a new rationalist aesthetic that came to epitomize the International Style.
Corbusier was both credited with and criticized for his reinvention of the modern urban skyline" notably, the buildings he pioneered in Paris" banlieues, which were considered efficient but austere. Though Le Corbusier"s illustrious career came to an abrupt end in 1965 when he drowned while swimming in the Mediterranean Sea off Roquebrune-Cap-Martin in France, his influence is undisputed.

Lc3 Grand Modele Armchair With Down Cushions

Fabio Novembre uses furniture design to tell intense and fascinating stories in which the protagonist is often the human figure. This human figure is capable of becoming abstract and universal, able to propose a mythic beauty as occurred in Greek art. So that Nemo, a face with classic features, is hollowed out to create an inhabitable space. The result is a head-armchair to be lived from the inside. Like a mask, it simultaneously conceals and reveals its inhabitant.
Features

Nemo Collection
Fixed base is suitable for indoor and outdoor use
Swivel base is suitable for indoor use
Available in Fixed or Swivel base
Available in various colors

Nemo Monobloc Armchair

A lounge chair that has a steel frame, with walnut or oak arm rests, an upholstered backrest and a feather seat cushion on an upholstered pad. The design, created by Reiko Kaneko, sits low to the floor, with a small footprint, yet has noticeably generous proportions. The frame is made from both tubular and solid steel and has a gentle curving detail between the back and arm rests. A small amount of flex in the back of the frame adds to comfort.

Details

Design Country: UK

Material:

Legs: Black Powder Coated Tubular Steel

Arms: Oak, Walnut
Cushions: Feather Wrap w/ Latex & Coconut Fiber Core
Hallingdal: 70% New Wool, 30% Viscose

Sorensen: 100% Aniline Leather

Dimensions:

Overall: 27.6"W x 32.3"D x 31.9"H
Seat Height: 15.8"

Orlando Lounge Chair

Arms

Minimalist Comfort. Pared down geometry in polished brass meets swanky Rialto Navy velvet. The perfectly pitched seat and soft, button-tufted cushions make this rigorously minimal seat surprisingly cozy and comfy. The definition of leaned-back luxury—a little bit '70s, a lot today. Our Goldfinger Lounge Chair adds a modernist vibe to your Park Ave pad or swanks up your mid-century abode. This piece is also available as a set—shop Better Together Bundles and save.

Goldfinger Lounge Chair

Description
Designer

"Those who look at a sofa must visually perceive a sense of both mental and physical comfort." Patricia Urquiola has conveyed this concept to the armchair Husk by designing a stiff body made of Hirek that contains a soft cushion divided into portions, which seem to underscore its ergonomic profile. It is endowed with an original spirit that merges with various styles. Three cushion types: standard, which is large and enveloping, or headrest.It is a swivel chair

Material & Feature:

Molded fiberglass shell with shiny finish, available in color white / black
Seat & back cushion: high elasticity dacron-wrapped foam with genuine down feather layer
Fabric upholstery (C.O.M available)
Legs: Walnut wood / Natural Ash wood / Black stained wood
All materials are fire-resistant & non-toxic (Baby friendly)

Dimensions:

Width: 31.5" x Depth: 31.5" x Height: 36.2"
Seating Height: 17.7"

* All measurements are approximations.

Spanish by birth, and Italian by choice, Patricia Urquiola was born in Oviedo, Spain and studied architecture in Madrid before graduating from the Milan Politecnico in 1989. The key words for her work are: rigour and emotion, innovation and mental comfort. She was mentored by some of the masters of Italian industrial design: Achille Castiglioni oversaw her graduate thesis, and Vico Magistretti, with whom she designed her first projects. She learned her craft in Italy, and opened a studio in Milan in 2001, where she has developed a truly global enterprise. Some highlights from her career include her encounter with Maddalena de Padova (1990), her collaboration with Piero Lissoni (1996-2000), and her partnership with Patrizia Moroso (since 1998) which led to the design of the Step Sofa, eventually debuting at the Saloni Milano and launching her into the spotlight at the young age of 40. Amidst all of these accomplishments, she had a stint at Lissoni Associati, beginning in 1993, where she developed furniture for Italian giants Cappellini and Cassina. Her designs are unconventional, emphatic, and experimental, blending humanist sensibilities and technical expertise" qualities that also inform her work as an architect. The Mandarin Oriental Hotel in Barcelona is one of her many architectural projects.

Husk Chair Low Back - Wood Base

Shell Color

Leg Finish

Stay here, stay with me, stay relaxed, stay and read...The Stay Lounge Chair has a sculptural and organic shape that, besides giving a contemporary look, also embraces the user and encourages to stay seated. The characteristic shape is almost like a singular continuous pencil stroke wrapping a solid texture. The lounge chair is suitable for both public spaces and private homes where keeping cosiness and comfort are essential.

Features

Stay Collection
Designed in 2015
Fully upholstered
Standard Glides
Available in two sizes
Available in various leg finishes
Available in Espresso Sheepskin, Moonlight Sheepskin, Off White Sheepskin or Sahara Sheepskin fabric color

Care Instructions:

In order to preserve the original condition of your sheepskin furniture, vacuum clean and air regularly
Stains should be immediately soaked with water, clean with a sponge, lukewarm water and a mild wool shampoo
Do not bleach or iron
Avoid placing the furniture in direct sunlight as color changes in the wool may occur

Stay Sheepskin Lounge Chair

Size

Description
Designer

Inspired by the original 1966 Platner Collection designed by Warren Platner, this lounge chair captures the iconic Modernist era style. Both elegant and whimsical, the stainless steel wire base was designed to resemble a shiny sheaf of wheat. The design provides not just a unique look, but also full support and stability for the seating shell. In displayed chair, high-density foam cushioning has been upholstered in a soft cashmere blend upholstery for luxurious comfort. Both a joy to look at and sit in, this piece of mid century furniture truly reflects Platner's definition of a classic!

Material & Feature:

Frame: Polished #304 grade stainless steel with matte finish
Back & Seat: molded fiberglass shell with highly resilient urethane foam
Premium Fabric,Top Grain/Aniline/Vintage Leather Leather upholstery (C.O.M available)
All materials are fire-resistant & non-toxic (Baby friendly)

Dimensions:

Width 33" x Depth: 24" x Height: 27"
Seat Height: 18"

* All measurements are approximations.

American architect and interior designer Warren Platner was born in Baltimore, Maryland in 1919. Platner attended Cornell University, graduating with a degree in architecture in 1941. Shortly after, he began working with legendary architects Raymond Loewy and I.M. Pei from 1945 to 1950, and with Eero Saarinen from 1960 to 1965. During this time he was part of the design process of many historically important projects including the Dulles International Airport, in Washington, D.C., the Repertory Theater at Lincoln Center, and several dormitories for Yale University. Platner joined Kevin Roche"s firm as the head of interior design, becoming more involved with interior and industrial design, as he believed that the essence and character of a building"s design should come from within.
In 1967, having gained a wealth of expertise and knowledge from working for architect-design luminaries, Platner decided to open his own firm, Platner Associates. Not limiting itself to architecture, it also experimented in furniture design, lighting, textiles, and interiors. From the late 1960s onwards, he exhibited widely and worked on a variety of interior design and architecture projects, including the interior design of the Ford Foundation headquarters (1967) in New York, the Georg Jensen Design Center (1968) also in New York, the interior to the American Restaurant in Kansas (1974), the interiors for Water Tower Place (1976) in Chicago, and the Windows on the World Restaurant (1976) atop the World Trade Center in New York.
In the 1960s, as the modernist movement became more expressive, Platner focused on a quieter aesthetic, wishing to create more graceful structures. In 1966 Platner, in collaboration with Knoll , unveiled the Platner Collection"a series of sleek modern chairs, ottomans and tables that rest on an intricately sculpted base of cylindrical steel rods replicating a moir pattern. Requiring over 1,000 welds for one piece alone, the complex design is a close marriage of architecture and industrial design. Though Platner designed other pieces, the Platner Collection was his most renowned collection that ultimately made a name for himself in furniture design.

Warren Platner Lounge Chair - Chrome Base

Classic, inviting, nostalgic and curved. That's one way of describing the new range of lounge chairs designed by the Danish designer, Simon Legald. But the Era collection is many other things too. The design is well-proportioned, the lines are sharp, and the feel is contemporary. Era combines modern production techniques with traditional furniture craftsmanship in a timeless and characterful design.
With its streamlined design and high quality, Era is a durable, long-lasting and versatile collection that easily accommodates modern interior’s need for flexibility. The chair is suitable for many different rooms in the home and can easily be used for different purposes as needs change. The Era collection is designed to transcend generations and is just as at home with lovers of design or families with children, as it is with young couples or their grandparents.
The Era Lounge Chair is available in both a high and low version. The legs are available in oak, walnut, black lacquered steel or chrome, as well a chrome frame for the rocking chair. A footstool is also available for the Era collection, allowing ample opportunity for comfortable relaxation and rest for the feet.
Simon Legald says: "It took a while to get the proportions and the interaction between the soft curves and straight lines on the shells just right. It was crucial that the upholstering and stitching were carried out with the utmost precision. I wanted to create individual chairs where each one had its own character. I did this through the variations of the high and low versions, and by the different frames available for the chair. For example, the wooden frames are flat and add warmth while the slimmer, round steel and chrome frames give a more industrial feel. Finally, the frame for the rocking chair is a slightly unexpected and playful choice for a lounge chair".
Additional fabric options are available upon request .
Details

Made In: Poland

Material:

Shell: Hard molded foam with steel reinforcement
Legs: Oak, Walnut

Fabric:

Camira Aquarius: 100% Pure New Wool

Camira Main Line Flax: 70% Virgin Wool, 30% Flax

Camira Oceanic: 100% post-consumer recycled polyester, including 50% SEAQUAL yarn

Camira Synergy: 95% Virgin Wool, 5% Polyamide

Camira Yoredale: 95% Wool, 3% Polyester, 2% Nylon

Camira Zap: 83% Pure New Wool, 17% Nylon

City Velvet Vol 2: 100% Polyester

Sørensen Leather Ultra: Protected Leather

Dimensions:

40.5"H x 28.3"L x 31.5"D
Seat Height at Front Edge: 15.7"

Era Lounge Chair High - Wood Legs

Legs Finish

Description
Designer

Inspired by American Shaker tradition, the PP124 rocking chair is truly a statement of Scandinavian design. Mixed materials of solid wood, upholstered cushion and fabric weaves invoke a nostalgic element.

Material & Feature:

Solid Ash wood frame with double dowels and corner-block-reinforcing with balanced tension halyard line
Water based coating with Natural or Walnut finish
Smooth rocking base
Medium firm cushion seat feel, with fabric / leather upholstery (C.O.M available)
All materials are Flame resistant & non-toxic (Baby friendly)

Dimensions:

Width: 29.5" x Depth: 34.6" x Height: 42"
Seat Height: 16.5"

* All measurements are approximations.

Hans Jorgensen Wegner, (April 2, 1914 - January 26, 2007), was a world renowned Danish furniture designer. His high quality and thoughtful work, along with a concerted effort from several of his manufacturers, contributed to the international popularity of mid-century Danish design. His style is often described as Organic Functionality, a modernist school with emphasis on functionality. This school of thought arose primarily in Scandinavian countries with contributions by Poul Henningsen, Alvar Aalto, and Arne Jacobsen. In his lifetime he designed over 500 different chairs, over 100 of which were put into mass production and many of which have become recognizable design icons.
Wegner worked for some time for Arne Jacobsen, a successful Danish designer. Wegner was in charge of the furniture in the Aarhus Municipal Hall, which Jacobsen designed. After some years under Jacobsen, Wegner started his own company. Along with fellow architect Borge Mogensen, he designed furniture for FDB (a Danish chain of grocery stores), spearheaded by Erik Kold - who founded an organization of Danish furniture makers that launched Danish design abroad.
In his later years Wegner became more attached to PP Mobler (which produces many of pieces originally designed for Johannes Hansen) and for whom he designed several chairs late in his life. He remained active throughout his life. An example of his later work is the"Hoop Chair", originally designed in 1965 with a steel tube base and finally put into production made entirely in wood in 1985 (for PP Mobler). Wegner retired from public life only in the last decade of his life.